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Hyacinthe Rigaud
Portrait of Charles de Saint-Albin, Archbishop of Cambrai
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ID: 75167
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Hyacinthe Rigaud
1659-1743
French
Hyacinthe Rigaud Gallery
He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659).
In 1682, he was awarded the Prix de Rome.
He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him.
Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles.
In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael.
Hyacinthe Rigaud died in Paris, France on December 27, 1743. Related Paintings of Hyacinthe Rigaud :. | Marechal de France | Portrait of Portrait of the artist, bust-length, with a yellow cravat and a blue cloak, feigned oval. | Portrait of Louis XIV | Portrait of Nicolas Boileau | Two Views of the Artist's Mother (mk45) | Related Artists: John Scarlett DaviesAustralian Painter, 1864-1939 Wilhelm Steinhausen1846-1924
Kitty KiellandNorwegian Painter, 1843-1914
was a Norwegian landscape painter. Kielland was born to an affluent family in Stavanger, the older sister of Alexander Kielland. Kielland's mutual interactions with her brother would be important to shaping her as an artist. Although she received some training in drawing and painting, it was not until she turned thirty that she was allowed to train as a professional artist. In 1873 she traveled to Karlsruhe where she was trained by Hans Gude. As a woman Kielland was forced to take private lessons from Gude instead of joining his landscape painting class. Gude's adherence to realism left a lasting impression on Kielland that was visible in her later works.[
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